Sweater Quest: My Year of Knitting Dangerously

Live and in person

Hillbilly Gothic: Links

on the nightstand

  • Scott Westerfeld: Leviathan
    All the cool kids were reading it. And I can see why. Great YA steampunk/WWI mashup with a strong female protagonist.
  • Terry Pratchett: Unseen Academicals (Discworld)
    I usually save Pratchett's Discworld books for the iPod but I've heard such good things about this one that I had to read read it, rather than listen read it.
  • Joe Hill: Heart-Shaped Box
    Scott got me a nook for Christmas. This is the first title I'm reading on it. So far - love both. (I also think the nook feature where you can sample titles before you buy them will save me a ton of money...)
  • Libba Bray: Going Bovine
    So many folks have raved about this that I thought that there was no possible way it could live up to the hype. It does. Gorgeous, sassy book.
  • Phil Foglio: Girl Genius: Omnibus Edition #1 (No. 1)
    I heard so much about this at Anticipation in Montreal that I had to pick up a copy. Enjoying the heck out of it so far. Very steampunkish. Very girl power.
  • John Varley: Rolling Thunder
    Varley just does it for me. YMMV.
  • Mary Ann Shaffer: The Guernsey Literary and Potato Peel Pie Society (Random House Reader's Circle)
    I coincidentally wound up reading two works of WWII-set fiction simultaneously - this and Connie Willis' Blackout (which you are going to love). TGLAPPPS is a perfectly lovely book, if one can describe a story about Nazi occupation, concentration camps and isolation as lovely. You can tell that there were bits of historical info that the writers didn't know how to seamlessly work in and they turn up in weird chunks - but, ultimately, it is a breezy read. If you can use "breezy" to describe a book about coming through despair.
  • Jincy Willett: The Writing Class
    Did not see that ending coming, which is just further proof that Willett is a master technician. With this, she gets to the ineffable heart about why people write, what a story is and why we read. All with a killer mystery plot and delicious wit.

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Comments

Merely by way of a blog-housekeeping suggestion, Adrienne: your blog software doesn't do anything visual to call out the links you embed - no different color, bold font, underlining, etc. If you underlined or bold-faced the links, they would be easier to see. One man's opinion.

Oh, and I *loved* "The Reprisal".

Actually, the Thomas Doyle sculptures remind me of the movie The Fountain http://www.imdb.com/title/tt0414993/. Something about the way a patch of earth seems to be floating in a bubble. Seriously weird movie, btw.

Re: Your links. Not to get all Web geek on your ass, but you are seeing a different color on links where Tim isn't so much, due to cross-platform color rendering differences. You optimized on Mac and the difference between your text and link color is much more subtle on PC. Personally, I prefer using a text decoration as an aid to all our colorblind friends out there. If you are looking for something subtle, http://www.sei.cmu.edu/ uses a nice dotted underline.

Re: cables. I usually just park my cable needle in the thing I'm knitting. Like 10-20 rows down from where I'm working. Is that weird?

Can't stand TAL because of the host's lisp. Who gives a guy with a lisp a job in radio?????


I'm going to game 2 of the Stanley Cup finals! Go Pens!

I used to stick my cable needle further down in my knitting but found that to be an unsatisfying solution.

Part of my problem with TAL is also the way the host speaks -- but I'm getting over it. Sorta.

I had no idea that the flavor of computer made a difference in terms of what you see. And please do get all geek on my ass. And please keep the suggestions coming. I'm looking in to some kind of decorative hickey for links but find straight underlining unappealing.

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